A very British, ultra low budget film with a sprinkling of famous faces – albeit most are from UK soap operas. Directed by Jonathan Glendening and written by Pat Higgins and Phillip Baron, this 2012 film is rated 15 and has a runtime of 93 minutes. It is rated as Action, Comedy and Crime but also borders on supernatural horror too.
The plot is simple but conceivable, in a weird kind of way anyway; a stripper accidentally kills a werewolf with a silver fountain pen. His friends, the rest of the pack, want their revenge. It is up to colleagues, friends, and clientele of the stripper to fight off the bloodthirsty werewolves.
I am not going to mess around and try and jazz this film up, I knew what I was getting myself into with this film, and the title of the film also set my expectations too, but this film, well – it was just bad. I usually like bad b-movies, but even by that standard this is really really bad. The acting is terrible; the script and dialogue is cringy; the make-up, effects and prosthetics are cheap; the soundtrack was awful; it wasn’t funny (and it was supposed to be); the pacing was terrible… wait, I’ve used that descriptive word before… let’s go with the pace was on par with a bumpy, pot hole covered road that was only partially built and required detours for no reason. What I am ultimately getting at, in case it was not obvious, is that this is a poor film.
With how bad the film was I was surprised at some of the faces that are in it, some from UK soap opera, some from the world of film. Ali Bastian, Adele Silva, Martin Compston, and Billy Murray all have experience in various soap operas. Martin Kemp, Alan Ford, Steven Berkoff, Lysette Anthony, and Robert Englund all have big film experience. With a cast this rich I was really expecting to see something a lot better than I got to experience. This felt like a cheap rip-off of 2008’s “Zombie Strippers”, which is pity because Britain is usually a strong player in the comedy-horror market with some really great tongue in cheek blood splatter films. This, unfortunately, had very few redeeming qualities and I can see this being quickly forgotten by audiences and probably the cast themselves too. I am not basing my review on a single viewing; I watched this in 2012 when it came out, and I have re-watched it in 2020 when I wrote this review. The film stunk almost ten years ago, and its fragrance has not improved since then.